
Alena Grom’s “Ruined Landscapes”: When Distance Ceases to Exist
Alena Grom’s Ruined Landscapes begins with a gesture that is profoundly simple, yet one that entirely shifts the viewer’s perspective. In the tranquil Sicilian town of Sant’Angelo Muxaro, images appear that do not belong: the ruined houses of Borodyanka, captured following the de-occupation of the Kyiv region. These images become a backdrop—quite literally—for portraits of
